{"id":1671,"date":"2013-05-02T15:53:09","date_gmt":"2013-05-02T14:53:09","guid":{"rendered":"http:\/\/semiofest.com\/?page_id=1671"},"modified":"2019-07-15T11:14:09","modified_gmt":"2019-07-15T11:14:09","slug":"everardo-reyes-france","status":"publish","type":"page","link":"https:\/\/www.semiofest.com\/2013\/everardo-reyes-france\/","title":{"rendered":"Everardo Reyes, France."},"content":{"rendered":"<h2>Semiotics, software and media visualization<\/h2>\n<figure id=\"attachment_3119\" aria-describedby=\"caption-attachment-3119\" style=\"width: 200px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.semiofest.com\/wp-content\/uploads\/sites\/3\/2014\/01\/E.-Reyes.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3119 \" src=\"https:\/\/www.semiofest.com\/wp-content\/uploads\/sites\/3\/2014\/01\/E.-Reyes.jpg\" alt=\"E.-Reyes\" width=\"200\" height=\"200\" \/><\/a><figcaption id=\"caption-attachment-3119\" class=\"wp-caption-text\">Everardo Reyes<\/figcaption><\/figure>\n<p>What happens when we analyze visual media with tools from the scientific domain? We propose a twofold perspective to discuss this question: 1) Lev Manovich calls this practice media visualization; 2) Jacques Fontanille says that scientific imagery allows to access the invisible. What is the invisible in visual media? It seems we can identify at least two elements: on the one hand, visual features and, on the other hand, spatial and temporal patterns. So, if we apply scientific software operations on visual media (photographs, film, comics, etc.), we generate a brand new image that needs some interpretation guides. Both Manovich and Fontanille have already distinguished some strategies: adjustment of view distance; rhetoric figures; visual configuration; and, narrative of transformations. We believe it is necessary to add one more: software operations.<\/p>\n<p><a href=\"http:\/\/fr.linkedin.com\/pub\/everardo-reyes-garc%C3%ADa\/5\/944\/657\" target=\"_blank\" rel=\"noopener noreferrer\">Everardo Reyes &#8211; Linkedin Profile<\/a><\/p>\n<p><a href=\"https:\/\/www.semiofest.com\/2013\/wp-content\/uploads\/sites\/3\/2013\/05\/Everardo-Reyes-Semiofest-2013-presentation.pdf\">Everardo Reyes- Semiofest 2013 presentation<\/a><\/p>\n<p><a href=\"http:\/\/creativecommons.org\/licenses\/by-nc-sa\/3.0\/\" rel=\"license\"><img decoding=\"async\" style=\"border-width: 0;\" src=\"http:\/\/i.creativecommons.org\/l\/by-nc-sa\/3.0\/88x31.png\" alt=\"Creative Commons License\" \/><\/a><br \/>\nSemiotics, software and media visualization by Everardo Reyes is licensed under a <a href=\"http:\/\/creativecommons.org\/licenses\/by-nc-sa\/3.0\/\" rel=\"license\">Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License<\/a>.<\/p>\n<p><a href=\"https:\/\/www.semiofest.com\/2013\/wp-content\/uploads\/sites\/3\/2013\/05\/Everardo-Reyes-Semiofest-2013-presentation.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00a0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Semiotics, software and media visualization What happens when we analyze visual media with tools from the scientific domain? We propose a twofold perspective to discuss this question: 1) Lev Manovich calls this practice media visualization; 2) Jacques Fontanille says that scientific imagery allows to access the invisible. What is the invisible in visual media? It &hellip; <a href=\"https:\/\/www.semiofest.com\/2013\/everardo-reyes-france\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Everardo Reyes, France.<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.semiofest.com\/2013\/wp-json\/wp\/v2\/pages\/1671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.semiofest.com\/2013\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.semiofest.com\/2013\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.semiofest.com\/2013\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.semiofest.com\/2013\/wp-json\/wp\/v2\/comments?post=1671"}],"version-history":[{"count":4,"href":"https:\/\/www.semiofest.com\/2013\/wp-json\/wp\/v2\/pages\/1671\/revisions"}],"predecessor-version":[{"id":3357,"href":"https:\/\/www.semiofest.com\/2013\/wp-json\/wp\/v2\/pages\/1671\/revisions\/3357"}],"wp:attachment":[{"href":"https:\/\/www.semiofest.com\/2013\/wp-json\/wp\/v2\/media?parent=1671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}